The SEMINCI for Chuchi Guerra and Luisjo. Run and Jump, Au Bout du Conte and Malak

The SEMINCI for Chuchi Guerra and Luisjo. Run and Jump, Au Bout du Conte and Malak

A new day, with new faces – in the guests - and with the same faces in the rooms. We are already knowing each other all. Today a marathon waits for me: four movies and four shorts. And that that left the meeting of the night to be able to write these four lines. But this is the SEMINCI.

Cuatro especialistas cinematográficos a punto de hacer lo que mejor saben: ver cine. Foto: Chuchi Guerra

Four cinematographic specialists on the verge of doing what better they know: to see movies. Photo: Chuchi War

Nyuszi és Öz (Doe and deer)

Hungary

W2_still

Very interesting this creation. With scarcely a few lines its director believe two personages. There are scarcely a few lines, they are flat personages. But one of them, the deer, is electrocuted and as a result of it acquire the third dimension. It will treat that its partner also acquires it but without success. It will have to learn to coexist with this new circumstance. A delight. A good preamble for the movie.

Run and Jump

Of the Irish diectora Steph Green.

Ireland / Germany.

TEL_0141576_S_06_XX_big

If it should to synthesize to the maximum, we could say that we are before three personages. On the one hand a cerebral American psychologist, Ted Fielding, that Casey comes to the family because the husband has suffered an ictus. Alone Ted answers to his own feelings coming to the manual and I see everything across the camera. On the other hand, a descerebrado Conor cannot already control its feelings. Alone he seems to answer before the primary ones and before the animals because this does not create any conflict. And on the other hand Vanetia, the wife and the mother. A woman fills of optimism in spite of what it has come to him above. It is the one that brings together the brain with the heart. And it is the one that suffers and enjoys its feelings. It will try to extract the family forward. For that reason Ted is present in the family, coexisting with her, because it is doing a study to publish it later. Its presence is uncomfortable, hefting everything what surrounds Conor, but it will provide interesting yields to them.

Run and Jump is a big movie that treats on the power of the acceptance. There supports the weight the actress who interprets Vanetia, which infects optimism before so many adversity, because the movie counts some thing more that it is not convenient to reveal. So, I recommend to them not to get lost this prime opera of Step Green. It can obtain some award.

The Missing Scarf (The lost scarf)

Other cut of animation narrated with mastery and friendliness. A dialogue of a squirrel that looks for its scarf with animal bulls.

Au Bout du Conte (At the end of The story)

Of the director Agnés Jaoui.

 

“Leave me to me that I know what it is necessary to do to wake up a princess”.

Especially (the wolf) in Au bout du I counted

 tournage "un jour mes princes viendront"

The action that continues to these words of one of the protagonists I am not going to reveal it but it is a little the key of this French comedy. That has to do with the surprise, with the audio-visual gag.

Ah, how do I envy the French. I never believed that it was going to show this publicly. Perhaps one day repent, but only I say it as for the movie industry. So not mosqueen my friends. About all there is known the sweetheart that “the foreigners” dedicate to this product. And it is there where my feeling takes root. There are not small the French movies that are coming to us to our rooms of our nearby country. So they will have something good.

It is a comedy with some ironic moment and it fills of humor. Of a lucid humor (there the French fix it) with ingenious dialogues, full of looks and gestures that they accompany to its phrases. In her to be able to see a review of the stories as classic as Little Red Riding Hood (essential part), Snow White, Dogsbody and the Beautiful sleeping one, between others.

Throughout the whole week there are great the movies that confront the drama and nevertheless the comedies are small. This French comedy leaves a very good sensation in the body.

Agnes Jaoui en la Seminci. Foto: Chuchi Guerra

Agnes Jaoui in the Seminci. Photo: Chuchi War

To the Hadaf (The target)

Morocco.

They say that a good microrrelato is that that once read you incites to read again what is written because, of a way or other one, you have surprised. You read it again to fit its pieces. This is what has happened to me with To The Hadaf. The action is giving us a series of tracks so that you think about a thing and then, in the end, it turns out to be different very different. Only I am going to say that a young Moroccan, Tarik, is scheming a certain action that will culminate achieving its target that is not the same that the espectado has thought (in most cases).

Zero

Nour-Eddine Lakhman

Morocco

WZero-5

Younès-Bouab

Younès-Bouab in the Seminci. Photo: Chuchi War

A thriller with a police officer who faces the corruption from the proper corruption. But it is marked (it is a Zero) and does not have any future however much it gets into debt in going of for free. I have had the sensation of seeing a movie of those that are named a series B and that throw most of the weekends in the dessert of any of our chains. It is possible to save cosituated someone like this musical appellant who goes out of a clarinet that he reminds to some mythical series of police officers. But in Zero everything is foreseeable and everything is more that I dress. An example the police officer Zero has a father who in spite of being in wheelchairs does the impossible life to him, but it is the one that takes care of him. Then it goes out to the streets to unload so many tension. We have seen this often. One of them (Paul Haggis seems almost traced, in bad Crash police officer, 2004). Also the performance of its protagonist is saved. Also it is not so fierce as they paint him after having seen him for our city.

The pamplemousse (The grapefruit)

Canada.

A short very graceful one that combines real image with some animated recreation. With a small history with two personages who cross in the way. Brilliant.

 Wmalak-cartel

Malak

Of the Moroccan director Abdeslam Kelai.

Malak is a seventeen-year-old Moroccan young woman who remains a pregnant woman of what she believed that he was its fiancé, a thirty-year-old uncle. On having found out about its first pregnancy, he feigns ignorance saying that it is not his, for second to throw it of the car calling it a slut. This is a history based on real facts and that we have seen in the SEMINCI in a pair of movies and in a short one. In spite of it, it is a situation (in words of the proper director) of the one that does not speak to herself. It is a taboo. It is no wonder that the abortion is a tremendous topic in the Moroccan society. These women are repudiated by their own families (in Malak, the brother is cruel, it is the one that throws Malak of its house, since its father is not so extremist); they have that «to hide» for space of six or seven months to give birth in the secrecy those that they decide in favor of this option; and, finally, some of them it is necessary to reconstruct the hymen to recover «the honor». Pero Kelai goes a bit further away and shows us an underworld that is there present in the moment in which you go out to the outlaying districts, and at the moment when you stroll turning into one without roof, in an invisible being for the society. A society where the tradition and religion are very present in Morocco and I imagine that it will not be easy to confront this topic. Very elegant the photo. A big movie that puts in rise this good paragraph that is called a Meeting point.

Chuchi War

Square Luisjo


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The SEMINCI for Chuchi Guerra and Luisjo. Run and Jump, Au Bout du Conte and Malak | Magazine Atticus

The SEMINCI for Chuchi Guerra and Luisjo. Run and Jump, Au Bout du Conte and Malak

The SEMINCI for Chuchi Guerra and Luisjo. Run and Jump, Au Bout du Conte and Malak

A new day, with new faces – in the guests - and with the same faces in the rooms. We are already knowing each other all. Today a marathon waits for me: four movies and four shorts. And that that left the meeting of the night to be able to write these four lines. But this is the SEMINCI.

Cuatro especialistas cinematográficos a punto de hacer lo que mejor saben: ver cine. Foto: Chuchi Guerra

Four cinematographic specialists on the verge of doing what better they know: to see movies. Photo: Chuchi War

Nyuszi és Öz (Doe and deer)

Hungary

W2_still

Very interesting this creation. With scarcely a few lines its director believe two personages. There are scarcely a few lines, they are flat personages. But one of them, the deer, is electrocuted and as a result of it acquire the third dimension. It will treat that its partner also acquires it but without success. It will have to learn to coexist with this new circumstance. A delight. A good preamble for the movie.

Run and Jump

Of the Irish diectora Steph Green.

Ireland / Germany.

TEL_0141576_S_06_XX_big

If it should to synthesize to the maximum, we could say that we are before three personages. On the one hand a cerebral American psychologist, Ted Fielding, that Casey comes to the family because the husband has suffered an ictus. Alone Ted answers to his own feelings coming to the manual and I see everything across the camera. On the other hand, a descerebrado Conor cannot already control its feelings. Alone he seems to answer before the primary ones and before the animals because this does not create any conflict. And on the other hand Vanetia, the wife and the mother. A woman fills of optimism in spite of what it has come to him above. It is the one that brings together the brain with the heart. And it is the one that suffers and enjoys its feelings. It will try to extract the family forward. For that reason Ted is present in the family, coexisting with her, because it is doing a study to publish it later. Its presence is uncomfortable, hefting everything what surrounds Conor, but it will provide interesting yields to them.

Run and Jump is a big movie that treats on the power of the acceptance. There supports the weight the actress who interprets Vanetia, which infects optimism before so many adversity, because the movie counts some thing more that it is not convenient to reveal. So, I recommend to them not to get lost this prime opera of Step Green. It can obtain some award.

The Missing Scarf (The lost scarf)

Other cut of animation narrated with mastery and friendliness. A dialogue of a squirrel that looks for its scarf with animal bulls.

Au Bout du Conte (At the end of The story)

Of the director Agnés Jaoui.

 

“Leave me to me that I know what it is necessary to do to wake up a princess”.

Especially (the wolf) in Au bout du I counted

 tournage "un jour mes princes viendront"

The action that continues to these words of one of the protagonists I am not going to reveal it but it is a little the key of this French comedy. That has to do with the surprise, with the audio-visual gag.

Ah, how do I envy the French. I never believed that it was going to show this publicly. Perhaps one day repent, but only I say it as for the movie industry. So not mosqueen my friends. About all there is known the sweetheart that “the foreigners” dedicate to this product. And it is there where my feeling takes root. There are not small the French movies that are coming to us to our rooms of our nearby country. So they will have something good.

It is a comedy with some ironic moment and it fills of humor. Of a lucid humor (there the French fix it) with ingenious dialogues, full of looks and gestures that they accompany to its phrases. In her to be able to see a review of the stories as classic as Little Red Riding Hood (essential part), Snow White, Dogsbody and the Beautiful sleeping one, between others.

Throughout the whole week there are great the movies that confront the drama and nevertheless the comedies are small. This French comedy leaves a very good sensation in the body.

Agnes Jaoui en la Seminci. Foto: Chuchi Guerra

Agnes Jaoui in the Seminci. Photo: Chuchi War

To the Hadaf (The target)

Morocco.

They say that a good microrrelato is that that once read you incites to read again what is written because, of a way or other one, you have surprised. You read it again to fit its pieces. This is what has happened to me with To The Hadaf. The action is giving us a series of tracks so that you think about a thing and then, in the end, it turns out to be different very different. Only I am going to say that a young Moroccan, Tarik, is scheming a certain action that will culminate achieving its target that is not the same that the espectado has thought (in most cases).

Zero

Nour-Eddine Lakhman

Morocco

WZero-5

Younès-Bouab

Younès-Bouab in the Seminci. Photo: Chuchi War

A thriller with a police officer who faces the corruption from the proper corruption. But it is marked (it is a Zero) and does not have any future however much it gets into debt in going of for free. I have had the sensation of seeing a movie of those that are named a series B and that throw most of the weekends in the dessert of any of our chains. It is possible to save cosituated someone like this musical appellant who goes out of a clarinet that he reminds to some mythical series of police officers. But in Zero everything is foreseeable and everything is more that I dress. An example the police officer Zero has a father who in spite of being in wheelchairs does the impossible life to him, but it is the one that takes care of him. Then it goes out to the streets to unload so many tension. We have seen this often. One of them (Paul Haggis seems almost traced, in bad Crash police officer, 2004). Also the performance of its protagonist is saved. Also it is not so fierce as they paint him after having seen him for our city.

The pamplemousse (The grapefruit)

Canada.

A short very graceful one that combines real image with some animated recreation. With a small history with two personages who cross in the way. Brilliant.

 Wmalak-cartel

Malak

Of the Moroccan director Abdeslam Kelai.

Malak is a seventeen-year-old Moroccan young woman who remains a pregnant woman of what she believed that he was its fiancé, a thirty-year-old uncle. On having found out about its first pregnancy, he feigns ignorance saying that it is not his, for second to throw it of the car calling it a slut. This is a history based on real facts and that we have seen in the SEMINCI in a pair of movies and in a short one. In spite of it, it is a situation (in words of the proper director) of the one that does not speak to herself. It is a taboo. It is no wonder that the abortion is a tremendous topic in the Moroccan society. These women are repudiated by their own families (in Malak, the brother is cruel, it is the one that throws Malak of its house, since its father is not so extremist); they have that «to hide» for space of six or seven months to give birth in the secrecy those that they decide in favor of this option; and, finally, some of them it is necessary to reconstruct the hymen to recover «the honor». Pero Kelai goes a bit further away and shows us an underworld that is there present in the moment in which you go out to the outlaying districts, and at the moment when you stroll turning into one without roof, in an invisible being for the society. A society where the tradition and religion are very present in Morocco and I imagine that it will not be easy to confront this topic. Very elegant the photo. A big movie that puts in rise this good paragraph that is called a Meeting point.

Chuchi War

Square Luisjo


Bookmark

Filed file: Movies

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