The child of the bicycle, the last movie of the brothers Dardenne

The child of the bicycle, the last movie of the brothers Dardenne

Title role:

The director: Jean-Pierre Dardenne, Luc Dardenne

Interpreters: Cécile De France (Samantha), Thomas Doret (Cyril), Jérèmie Renier (Guy Catoul)

Title in VO: Him gamin au see it

Country: France

Year: 2011.

Duration: 87 min.

Genre: Drama

Script: Jean-Pierre Dardenne, Luc Dardenne

It photographs: Alain Marcoen
Official web: http://www .legaminauvelo-lefilm.com

 

Synopsis:

Cyril is a 12-year-old boy who is in an orphan-asylum for the abandonment of its father. He gets into debt in looking for it with the same determination as its father pushes it back. In its search it will have a fortuitous meeting with Samantha, an attractive hairdresser who will not hesitate to receive it during the weekends and will try that Cyril is liberated of the whole violence that it accumulates in its interior.

 

Comment:

There are gestures that mark a life.

The unexpected hug, full of desperation, of anger that Cyril provides to Samantha in its huída will mark the life of both protagonists. Cyril is anxious for receiving affection and Samantha will turn into an accidental mother capable of giving it to him.

 

Cyril is in this moment of the life in which a step in false can throw for ground a future (only the destination will determine if it is encouraging). It has to penetrate a thin line. In the movie in a side there is the city (where the father is and therefore the hearth) and on the other hand there is the forest full of dangers of the hand of the bad companies (the disobedience, the rebelliousness on the established order). This line for Cyril is easy to penetrate if in the dark side it finds something what he has lacked in its short life: friendship, affection, acceptance and to turn into excellent someone although it is clutching a baseball bat. Samantha will have to resist this with the contribution of its love and delivery and also it will have its particular struggle. It is not easy to assume its role of elected mother. The child chose it, but to keep on looking for its father. Pero Samantha has been able to see that what the child needs is a love and more love to resist so many frustration that there provokes an unconscious father, foreign to the suffering of its son and that the only thing for that he looks is to live through its own life without commitments. Samantha strains in helping Cyril. It does of it its cause over everything and prefers it to the relation with its own couple and without neglecting its hairdressing salon business. She will provide affection and education to him opposite to what she represents the dark side that is the hate and the indifference.

Cyril in the search of its identity sticks to a bicycle that represents its hearth. It is the tie that he has left with its father. He gave it to himself. It does not understand that there is her waste as it is getting rid of him. But he is its father, its hero, its model to be imitated and he does not realize it. He will have to be Samantha who opens the eyes to him. And this way she will turn out to be poured out to force its father so that he says to him to her facing Cyril that it should not return over there. It does not surprise me that the child, on having heard this, loves up to starting the eyes. It is not necessary in my imagination how to inflict more pain on a child.

 

 

 

The child of the bicycle offers a look of our society with the force of the simplicity and of a clear and luminous exposition. Any story has its moral. In this modern history the message that transmits us is that it is possible to go out victoriously of the struggle against the solitude and the coldness if in our way there appears a fairy who gives us the love.

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Square Luisjo

 

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The child of the bicycle, the last movie of the brothers Dardenne | Magazine Atticus

The child of the bicycle, the last movie of the brothers Dardenne

The child of the bicycle, the last movie of the brothers Dardenne

Title role:

The director: Jean-Pierre Dardenne, Luc Dardenne

Interpreters: Cécile De France (Samantha), Thomas Doret (Cyril), Jérèmie Renier (Guy Catoul)

Title in VO: Him gamin au see it

Country: France

Year: 2011.

Duration: 87 min.

Genre: Drama

Script: Jean-Pierre Dardenne, Luc Dardenne

It photographs: Alain Marcoen
Official web: http://www .legaminauvelo-lefilm.com

 

Synopsis:

Cyril is a 12-year-old boy who is in an orphan-asylum for the abandonment of its father. He gets into debt in looking for it with the same determination as its father pushes it back. In its search it will have a fortuitous meeting with Samantha, an attractive hairdresser who will not hesitate to receive it during the weekends and will try that Cyril is liberated of the whole violence that it accumulates in its interior.

 

Comment:

There are gestures that mark a life.

The unexpected hug, full of desperation, of anger that Cyril provides to Samantha in its huída will mark the life of both protagonists. Cyril is anxious for receiving affection and Samantha will turn into an accidental mother capable of giving it to him.

 

Cyril is in this moment of the life in which a step in false can throw for ground a future (only the destination will determine if it is encouraging). It has to penetrate a thin line. In the movie in a side there is the city (where the father is and therefore the hearth) and on the other hand there is the forest full of dangers of the hand of the bad companies (the disobedience, the rebelliousness on the established order). This line for Cyril is easy to penetrate if in the dark side it finds something what he has lacked in its short life: friendship, affection, acceptance and to turn into excellent someone although it is clutching a baseball bat. Samantha will have to resist this with the contribution of its love and delivery and also it will have its particular struggle. It is not easy to assume its role of elected mother. The child chose it, but to keep on looking for its father. Pero Samantha has been able to see that what the child needs is a love and more love to resist so many frustration that there provokes an unconscious father, foreign to the suffering of its son and that the only thing for that he looks is to live through its own life without commitments. Samantha strains in helping Cyril. It does of it its cause over everything and prefers it to the relation with its own couple and without neglecting its hairdressing salon business. She will provide affection and education to him opposite to what she represents the dark side that is the hate and the indifference.

Cyril in the search of its identity sticks to a bicycle that represents its hearth. It is the tie that he has left with its father. He gave it to himself. It does not understand that there is her waste as it is getting rid of him. But he is its father, its hero, its model to be imitated and he does not realize it. He will have to be Samantha who opens the eyes to him. And this way she will turn out to be poured out to force its father so that he says to him to her facing Cyril that it should not return over there. It does not surprise me that the child, on having heard this, loves up to starting the eyes. It is not necessary in my imagination how to inflict more pain on a child.

 

 

 

The child of the bicycle offers a look of our society with the force of the simplicity and of a clear and luminous exposition. Any story has its moral. In this modern history the message that transmits us is that it is possible to go out victoriously of the struggle against the solitude and the coldness if in our way there appears a fairy who gives us the love.

If it has not attracted you this comment left a tráiler to you:

 

 

 

 

Square Luisjo

 

Bookmark

Filed file: Movies

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