Lover of Fernando León (2nd capture)
Lover for Windward
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Lover is a movie essentially beautiful and poetical, with the beauty and the poetry of the man in its most emaciated humanity. A movie that is tiled, like the life, with moments and with silences. That's why its protagonist might not have been better select: Magaly Solier says more when he is quiet that when he speaks, with a look that counts, reveals or hides, dreams or smiles according to the moment. It has this so Andean hermetic air, and the obstinate determination that knows the one who should have observed a woman supporting an extreme situation. Magaly upsets, wins the love, the tears and the guffaw starts us with changes of record so subtle as imperceptible, without boasting, but accurate. As the actors of another time.
Along with her, another actor of those who fill the screen with the extract of the real movies: Celso Bugallo, lucky charm and icon of Fernando León and exceptional and key piece in this framework of sensations, discoveries and affections. He and Magaly believe some of the most beautiful moments of the movie, showing us the relation that is established between Lover and Marcela, its delightful dialogues, the unusual chemistry that arises between both. And any frame for this quiet preciosity of León de Aranoa, with a dazzling photo, a lighting wonderful beyond the perfect and flat thing. Plastically, Lover is a jewel. But also it is sustained in a round script, cuidadísimo, curdled of details. Some, like that of the returned letter and the reaction of Marcela, of a depth that it disarms. Others of a nearby magic, devoid of device or kitsch, like the siren. Sweet and sour details and a pair of authorizations to the black humor that they make laugh with desire, especially when there intervenes Puri, the personage interpreted by Fanny de Castro, who shines at the head of an extraordinary supporting actors cast.
The slow rhythm is justified entirely, especially inside the house, and is necessary to provide to the movie of all its poetical and plastic load; also to be able to savor these moments of intense emotion, or the most comical. To taste in sum the sweet and sour taste of the human condition taken shape of a plot with feet, head and many cinematographic knowledge, does not exempt of the social dye typical of the director and I am necessary given the protagonists of the history. The tenderness never penetrates the line of the kitsch, the black humor is administered in minimal doses, the drama opens with naturalness, like the life and the death. Fernando León appears to us once again like the big film director, the brilliant scriptwriter and the sensitive soul that we know of previous movies. Perhaps this one is the most intimate and interrupted of its works, but it has its unmistakable stamp, and no lover of the movies should lose it.
Filed file: General
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